Thursday, July 19, 2007

Why am I 'Barefoot' ?


After excepting the job to design sound, to mix the score, and to prepare the final stem for a film. I knew I have to choose the right monitors to keep me closest to the truth and as consistence as possible. I have to design the sound fx's and Foley at one studio, work and mix the music with Victor, the composer, at his studio, receiving the ADR from another, and finally mix the final stem at my studio. I knew this will be challenge due to the fact that I have to keep all the audio in consistence for this film at the final stage. What worse is that the director is short on time, he just told me that I am going to also handle mastering the final stem for the theater, DVD,...and yes 'third world' television speakers.

Yes it is a challenge but it would not be fun not to try to keep up with the deadline. I knew I can do all this but in one studio? My issue was the monitors. I had always love the Adam SA3's I in my studio for mixing music, but for the mastering part. I don't want to run to B&W Nautilus setup back and forth from my studio, it will take too much time and energy. So I call my buddy Scott for help. He told me what I'd already suspected, "...Duy, why don't you go Barefoot?"

Scott assure me that going with the Barefoot M27 will get me thru the recording, mixing, and mastering process for this film. With some pull, Scott manage to talked Vintage King Audio to lend me a pair to try out for 2 weeks but I have to wait almost 2 months for my turn.

The first thing I did was to 'pre-master' a new track for Sean Kenner Trio which I was mixing for. One of the thing I do after the first few passes of mastering is to burn into a CD then I would take it to my car and listen to it for a week while driving around. To my surprise, the mastering came out so dam close to what I am hearing in my studio. I sent Sean the CD and he played it on his system and gave me a thumb up. Dam! I knew all this mean is it will get expensive on me.

I called up Vintage King to see if I can order a pair of Barefoot to handle this film. The answer came back, "get in line dude!", pre-paid (at $6700.00) for the pairs, and the minimum wait for the monitors is 5 months....So I handed over the credit card, what a sucker.

Mind you, this all happen last October and I had been sleeping with my Barefoot for awhile now. So my baby is being ask to get me thru this film and so far...f*ck'n awsome.


The dam thing come with its own sub mounted side way

here the spec, read them and weep:

Description 3-way active monitor with integral subs
Controls Input level attenuator, amplifier mutes, 115V/230V AC power select
Frequency Response 38 Hz - 20 kHz (+/- 1.5 dB)
Bass Response -3 dB @ 33 Hz
Q = 0.707
Slope: 12 dB/octave
Cabinet 32 liters total internal volume, Sealed sub enclosure, Individual sealed midbass enclosures, Machined aluminum baffle plate
Crossover Frequencies 110/2500 Hz
Tweeter 1" soft dome, Magnetic shielding, Rear waveguide chamber
Power: 60 W
Dual Midbasses 5" poly cones, Magnetic shielding, Rear waveguide chambers
Power: 250 W
Dual Subwoofers 10" aluminum cones, Magnetic shielding
Power: 500 W
Weight 71 lbs each (32 kg)
Dimensions HxWxD 20.5 x 9.5 x 15.25 inches (521 x 241 x 387 mm)



1" soft dome tweeter, dual 5" midbass drivers and dual 10" subs housed in compact sealed enclosures yield high linearity and outstanding impulse response. With 500 Watts of power in the subwoofer channel alone, the dual 10" drivers cross over seamlessly from the midbass, reaching down to 33Hz and rolling off at 1/4 the rate of ported designs to reveal much more deep bass information. Since the sub motor structures are locked together the opposing forces cancel out and the cabinet remains rock steady even at very high output levels. There is no need for bass management in 5.1 systems because the MicroMain27 is truly a full-range monitor. The speaker can be placed either vertically or horizontally using the included pedestal.

Although Barefoot claim that it still be flat around 25hz, I put the pair thru its pace with SIM3 (www.meyersound.com/products/sim/sim3/) and found even at 20hz only +/- 0.7dB flux. Now that impressive. Mixing the lo-end with this pair was an ease for me, different than the Adam, I don't have to calibrate for the sub, it has its own sub. The cross over point for the Barefoot is at 110hz for lo/mid and 2.5khz for mid/hi.
My lo-end issues are now no issue!

I am still not selling my Adam!

Tran Duy

Meyer on Metallica


Sean emailed me the other day, "...hey man, come and join the crew." Yeah, I know but Tim, my boss is assigning me to Asia, not Europe, where I rather be. You see, Sean is the Meyersound crew chief for the Metallica tour in Europe. Nope, he does not have to do shit, just hovering around the Gallieo and his laptop with a crew of 3 controlling 50 tons worth of speakers. I don't want to advertise for Meyer, although I am working for them, but 50 tons worth of speakers will take just 2 guys and 1 hours to fly it all in the air 20+ ft up...easily.

The advantage of working for Meyersound is that I get to be backstage on any show. So far this year, Norah Jones, Celine Dionne, Roger Walter, Metallica, Dave Mathew band, etc...I stop going because the crew kept making me...work!

anyway, here an excerpt regarding Metallica tour in Europe...meanwhile back to 'Year Zero'.

Legendary metal band Metallica embarked on a series of European shows at the end of June for their "Sick of the Studio '07" tour. For its concert dates the band is carrying a Meyer Sound system built around the MILO high-power curvilinear array loudspeaker, 700-HP ultrahigh-power subwoofer, and the new MJF-212A high-power stage monitor. A Galileo loudspeaker management system provides system processing and drive. Taylor, Mich.-based Thunder Audio is providing the sound system, with local support from Emsdetten, Germany's Westfalen Sound and Oslo, Norway's AVAB CAC.

"Thunder's used MILO on a number major tours, so we know we can expect loud, clean sound from MILO for every performance anywhere in the world," says Thunder Audio Vice President Paul Owen, also the band's monitor engineer. "The sound has to be consistent from night to night, and we have complete confidence that every Meyer loudspeaker we use will be consistent and that Meyer's technical support will back us up."

Metallica has used Meyer Sound equipment in the past including during their 2006 "Escape from the Studio Tour" dates in Estonia and Holland. Earlier this year the band upgraded their Northern California rehearsal studio with Meyer Sound M'elodie ultracompact high-power curvilinear array loudspeakers and a 600-HP compact high-power subwoofer, and replaced their old monitors with new MJF-212A monitors, which also are being used on tour in Europe.

Of the stage monitor, Hetfield has said: "The MJF-212A stage monitors are able to cut through and still sound full. I can hear and feel my voice above the wall of 'Tallica," he says. "For some reason we like it loud!"

The tour includes stops in the UK, Spain, Sweden, Norway, and lands in Moscow, Russia's historic Luzhniki Stadium for the final show on July 18, where Metallica will play for an anticipated audience of more than 75,000.


Tran Duy

Tuesday, July 17, 2007

NIN Year Zero...cool CD!


I got the new NIN: Year Zero Cd in my car CD player and it had not stop playing for the past uhmmm 1 week. Trent has gone "raw" again with the new release, I must said there still ton of filters, mean pedals, huge drums, but gone are the time fx's, well not all but most of them. From what I can dig up, the meaning of Year Zero represent the year when government and religion merge into one or maybe the line got really blurred which the state will take on more of a dictatorship form...whatever!
Trent gone grown up and political conscience on me but wait...he also allow me to download all the raw multi tracks of the songs online for free so can f**k with them on Garageband and Logic. BTW NIN also made reference to the Torrent crowd, something like...'you f**k'n leech looser or something like that...oh well!

...but hold on, Trent also selling t-shirts and screen saver for the f**k'n iPhone. Somehow I feel like I am gonna get a nice good 'rearing' for all the years of ignoring my social surrounding and orgasm with Napster (when it was free of course) + free downloading.

Ok, I feel like sh*t now so I am handing over the $14.00 for this CD that suppose to make me feel 'BAD' about myself...I love it man!


Analog synths, fat guitars, outboard filters, Reaktor, processed acoustic drums to the max, industrial sounding smooth enough that your mother will tolerate the CD in her Mercedes and make your sister think it's electronic dance music...for the initial 5 seconds into the song, the same amount of attention span she got.

BUY THIS DAM CD!
but of course you can always download it somewhere on the net for free...so don't bitch if others will do the same to your music...looser.

listen Vessel and let me know what you think Tung and Phuc?

If you have never seen NIN, consider yourself unfortunate and...kind of suck a big one. Go here to taste the wealth
http://nin.com/visuals/index.html


Survivalism video

excerpt from Lefsetz letter

Jeffrey Campagna:

Have you checked out Nine Inch Nails lately? Talk about a project that is more than a CD and more a piece of art. I spent about 4 hours the other night going from web site to webs site learning about something called Parepin and totally being hooked. I had to keep reading and reading going from website to website. Talk about a Viral marketing campaign. And how was it discovered? By hungry fans using the internet.

Year Zero Research

All I remember is David Letterman telling his audience he had to get that Nine Inch Nails on his television program. After their Woodstock ‘94 appearance. You see there was BUZZ! But Trent Reznor wouldn’t take his troupe on TV. Even though Dave went on for weeks. That’s when I realized they were different.

Go to: Year Zero (album). Unless you’re in on the game, you’ll think it’s a joke. An elaborate marketing campaign that’s got nothing to do with "Saturday Night Live" and nothing to do with "The New York Times". It exists WHOLLY OUTSIDE THE SYSTEM! Like video games used to.

Think of all the money Trent is leaving on the table. All those kids who’d like to play!

FUCK ‘EM! Who needs them as fans! The cheerleaders and football players more interested in their social status at the high school than with what goes on inside.

Still, you know there’s a whispering campaign. On the campus. Both high school and college. And those who’ve graduated, they’re like Mr. Campagna above, surfing, IM’ing, e-mailing.

But it’s not only this elaborate game. Go to: NIN. Stunning that the site doesn’t take forever to load, like the Flash-overloaded pages of the wannabes, of the label hypes. And when you click on the splash page, you get to this index, that doesn’t look like your usual homepage, there are no pictures, they’re not trying to SELL YOU ANYTHING!

As a matter of fact, they’re giving something away. Click around and you’ll find GarageBand files, multitrack files of tracks that you can remix YOURSELF!

GarageBand? But what about WINDOWS USERS! Fuck Mac users. We get to them last. We don’t let people watch videos in QuickTime, there’s no COPY PROTECTION! But Trent knows it’s Mac users who more than e-mail and surf the Web, THEY’RE the ones with the built-in program that allows them to make music, to fuck with music.

There was some ink about the GarageBand files over a year back. But now, as the Web has developed, this new campaign Jeffrey Campagna is infatuated with is positively underground, it’s STEALTH!

NIN does not make easy music. Non-thinkers might believe they need a carpet bomb approach. So that they can reach EVERY potential NIN fan. But it’s not about making yourself ubiquitous, alienating your core, but ONLY SERVING YOUR CORE! And letting your core grow you.

Now my understanding is unlike the Arcade Fire dates, NIN shows are not cheap. But why should they be? They’re extravaganzas, people are willing to PAY! Just like you’re willing to pay to get into an exclusive club, an exclusive restaurant, buy a BMW.

How many years ago did NIN break? Certainly over a decade. But they can still sell out arenas. Jessica Simpson is in the tabloids and on the equivalent Websites seemingly every day, but she can’t sell a record and almost nobody wants to see her. Ten years from now? If she’s lucky she’ll have a TV career. Then again, can she read the cue cards?


Tran Duy

PS what does this all mean? A new concert tour is in the planning...I am so there.

Thursday, July 12, 2007

why are you screwing around with my sm57...I like it!

No studio in the world or any sound contracting company would be caught dead without this microphone in their mic locker. The stable and reliable Shure SM57 and SM58 dynamic microphone. Ask all engineers any where, if they were stranded on the island with just one mic, I would bet you most of them will say the either the SM57 or the SM58.

The most I had ever seen in one studio is around 15 SM57's and the least is around 5's. So when Tab-Telefunken decide to make a new transformer to "mod" this beloved microphone, I went nut, why are they screwing around with my favorite microphone? After test driving one, I realized I could miss out on something here. What if you can turn that SM57 into a more expensive SM7 sound with more "meat" on the lo-end and roll a bit off the top? how much would you pay for one? How about just $180.00? I put the mod versions in front of a Bogner full cab and the guitar just screamed thick, mean, in your face guitar.


TAB-Funkenwerk Transformer features
The AMI T58 microphone output transformer was developed as a high resolution transformer upgrade for existing SM-57 or SM-58 microphones to give the same solid character without restricting upper mid and high end response.


  • Primary impedance: 15 to 25 Ohm
  • Primary inductance: 250 mH (120Hz) @ 1.5 Ohm
  • Step up ratio: 1 to 5
  • Secondary inductance: 5.4H (120Hz) @ 25 Ohm
  • Short impedance: 0.029mH
Enough said, I just send all of my SM57's (7) in for the Telefunken mod.
What can I say, I am a sucker when it come to proaudio gear mod.

Tran Duy


SPECIFICATIONS

Monday, July 09, 2007

Reactable...this is cool!


The reactable is a collaborative electronic music instrument with a tabletop tangible multi-touch interface. Several simultaneous performers share complete control over the instrument by moving and rotating physical objects on a luminous round table surface. By moving and relating these objects, representing components of a classic modular synthesizer, users can create complex and dynamic sonic topologies, with generators, filters and modulators, in a kind of tangible modular synthesizer or graspable flow-controlled programming language.



If you don't have a clue what it is about, just look at the video...it is dam cool.



...how it was used at Bjork concert



I want one!...two is ok too.

Tran Duy

Wednesday, July 04, 2007

Could not get the right sound in your recording? Try look into noise and hearing loss

Bug Bunny always eats healthy and protect his ears

One thing I noticed when I am in Saigon, Vietnam is the enormous sound pollution. Noise! Noise! This is dangerous and especially for young children.

Noise is difficult to define!

People who study acoustics define noise as complex sound waves that are aperiodic, in other words, sound waves with irregular vibrations and no definite pitch.

In engineering, noise is defined as a signal that interferes with the detection of or quality of another signal.

The combined disciplines of psychology and acoustics (psychoacoustics) study the response of humans to sound. They define noise as unwanted sound.

Is music noise? Is the hum of tires on a highway noise? Is the surround-sound movie theater noise? Is the philharmonic concert noise? And what about the accompanying beat for aerobic exercises at the health club? Sounds that are soothing for some are irritating to others.

An expert on noise, K.D. Kryter (1996) in his text , Handbook of Hearing and the Effects of Noise, (New York Academic Press) defined noise as "acoustic signals which can negatively affect the physiological or psychological well-being of an individual."

Basically, noise is unwanted sound. It is a pollutant and a hazard to human health and hearing. In fact, to me it is the most pervasive pollutant in Vietnam.

Noise in our environment affects physical heath. Noise also has psychological and social implications and affects our well being and quality of life. Let's add the damage it will cause to musician and engineer alike.


Damage to the Inner Ear


Your ear receives sound waves and sends them through a delicately balanced system to the brain. Part of this remarkable system, the cochlea, is a chamber in the inner ear filled with fluid and lined with thousands of tiny hair cells. The hair cells signal the auditory nerve to send electrical impulses to the brain. The brain interprets these impulses as sound. When you are exposed to loud or prolonged noise, the hair cells are damaged and the transmission of sound is permanently altered.

Noise Levels

Both the amount of noise and the length of time you are exposed to the noise determine its ability to damage your hearing. Noise levels are measured in decibels (dB). The higher the decibel level, the louder the noise. Sounds louder than 80 decibels (normal conversation is at 65 decibels) are considered potentially hazardous. The noise chart below gives an idea of average decibel levels for everyday sounds around you.

Painful:

150 dB = rock music peak

140 dB = firearms, air raid siren, jet engine

130 dB = jackhammer

120 dB = jet plane take-off, amplified rock music at 4-6 ft., car stereo,

band practice

Extremely loud:

110 dB = rock music, model airplane

106 dB = timpani and bass drum rolls

100 dB = snowmobile, chain saw, pneumatic drill

90 dB = lawnmower, shop tools, truck traffic, subway

Very loud:

80 dB = alarm clock, busy street

Note: check this out, I measure the noise level in the mid afternoon in Vietnam and the meter on my SPL meter is licking the 90 dB...that is crazy!

70 dB = busy traffic, vacuum cleaner

60 dB = conversation, dishwasher

Moderate:

50 dB = moderate rainfall

40 dB = quiet room

Faint:

30 dB = whisper, quiet library

Warning Signs of Hazardous Noise

  • You must raise your voice to be heard
  • You can't hear someone two feet away from you
  • Speech around you sounds muffled or dull after leaving a noise area
  • You have pain or ringing on your ears (tinnitus) after exposure to noise.

Hazardous Noise

Sounds louder than 80 decibels are considered potentially dangerous. Both the amount of noise and the length of time of exposure determine the amount of damage. Hair cells of the inner ear and the hearing nerve can be damaged by an intense brief impulse, like an explosion, or by continuous and/or repeated exposure to noise.

Examples of noise levels considered dangerous by experts are a lawnmower, a rock concert, firearms, firecrackers, headset listening systems, motorcycles, tractors, household appliances (garbage disposals, blenders, food processors/choppers, etc.) and noisy toys. All can deliver sound over 90 decibels and some up to 140 decibels.

Can't my ears "adjust" and "get used" to regular noise?

If you think you have "gotten used to" the noise you are routinely exposed to, then most likely you have already suffered damage and have acquired a permanent hearing loss. Don't be fooled by thinking your ears are "tough" or that you have the ability to "tune it out"! Noise induced hearing loss is usually gradual and painless, but, unfortunately, permanent. Once destroyed, the hearing nerve and its sensory nerve cells do not regenerate!

An audiologist certified by the American Speech-Language-Hearing Association (ASHA) can conduct a hearing evaluation to determine if you do have a hearing loss. If you are routinely exposed to noise, you should have your hearing checked by an ASHA-certified audiologist on a regular basis, at least once a year.

To me this is one of the most dangerous situation in 'noisy' Vietnam, especially for young infants and children.

Physical Changes

The most notable physical effect of noise exposure is loss of hearing . Noise Induced Hearing Loss (NIHL) affects children, adolescents, young adults, and older adults. The National Institute on Deafness and Other Communication Disorders (NIDCD), National Institutes of Health (NIH) the National Institute on Environmental Health Sciences (NIEHS) and the National Institute for Occupational Safety and Health (NIOSH) have noted that, because of noise in our society, hearing loss is appearing much earlier in life than would have been expected just 30 years ago.

Noise not only affects hearing. It affects other parts of the body and body systems . It is now known that noise:

  • Increases blood pressure
  • Has negative cardiovascular effects such as changing the way the heart beats
  • Increases breathing rate
  • Disturbs digestion
  • Can cause an upset stomach or ulcer
  • Can negatively impact a developing fetus, perhaps contributing to premature birth
  • Makes it difficult to sleep, even after the noise stops
  • Intensifies the effects of factors like drugs, alcohol, aging and carbon monoxide

Research is on-going and continues to provide data suggesting the devastating effects of noise on health. Research is also investigating factors that may contribute to one's susceptibility to noise induced hearing loss.

Other Changes

Noise can also hamper performance of daily tasks, increase fatigue, and cause irritability.

Noise can reduce efficiency in performing daily tasks by reducing attention to tasks. This is a concern of employers when it comes to assuring workers' safety. It is also a concern to a growing number of educators interested in human learning.

Because of noise, we often find ourselves fatigued and irritable . We don't even realize the effect until the noisy hubbub stops and we feel relief.

From another perspective, your own inability to hear and understand others clearly can cause you to feel angry and frustrated. Instead of accepting the problem is yours, you misdirect your feelings to others and blow up at them.

Noise also makes speech communication harder. More concentration and energy is needed not only to listen and hear over the noise but also to speak louder above the noise. As a result, voices can be strained and vocal cord abuses, such as laryngitis, develop. It is a physical strain to carry on even an enjoyable conversation in the presence of noise.

One demonstration of the effects of noise on behavior was done by recording how passers-by responded to a person-in-need in the presence of noise. While a noisy lawnmower was running, a woman with a broken arm dropped some books and tried to pick them up. No one stopped to help her. When the lawnmower was turned off and the scene repeated, several people stopped to help her retrieve the books.

Researchers have also looked at the effect of excessive noise in school classrooms and have drawn conclusions that are seemingly obvious, yet often minimized. In one study, test results of students from a school near railroad tracks were compared to results of students far away from the tracks. Students in the quiet school performed better on the test. Another study found that students whose classrooms face noisy streets do not do as well in school as students in classrooms facing away from noisy streets. Finally, another study demonstrated that noise distracts both teachers and students.

There is no question that noise is both a public health hazard and an environmental pollutant as well. Many of its effects are well known and many of its effects continue to unfold through research.

Protect Yourself from Noise

The key word in dealing with noise is prevention! We want to eliminate unwanted noise when we can. When noise cannot be eliminated, we want to keep it as low as possible. Here are some things to do:

  • Wear hearing protectors when exposed to any loud or potentially damaging noise at work, in the community (heavy traffic, rock concerts, hunting, etc.) or at home . Cotton in your ears won't work.

Hearing protectors include ear muffs and ear plugs (not swimmer's plugs), some that are custom-made and individually molded. This protection can be purchased at drug stores, sporting goods stores or can be custom-made.

  • Limit periods of exposure to noise . Don't sit next to the speakers at concerts, discos, or auditoriums. If you are at a rock concert, walk out for awhile give your ears a break ! If you are a musician, wear ear protection--it is a necessity! Take personal responsibility for your hearing. Especially in rehearsal space.
  • Pump down the volume! When using stereo headsets or listening to amplified music in a confined place like a car, turn down the volume. Remember: if a friend can hear the music from your headset when standing three feet away, the volume is definitely too high. Don't be afraid to ask others to turn down the volume.
  • Educate yourself about the damaging effects of noise and what you can do to prevent your exposure to noise.
  • Educate others and take action! Educate your children through discussion and by example. Wear your ear protection and encourage your children to follow your example. Provide them with ear protection. Remind them to turn down stereo headsets. A rule of thumb is that, if sound from a head set can be heard by others 3 feet away, it is too loud.
  • Be a responsible consumer . Look for a noise rating when buying recreational equipment, children's toys, household appliances, and power tools. Choose quieter models, especially for equipment that you use often or close to your ears like a hair dryer. If there is no noise rating, contact the manufacturer and ask for one!
  • Inspect your child's toys for noise danger just as you do for small parts that can cause choking. Remember, too, that children tend to hold toys close to their ear which can pose additional threat for hearing damage.
  • Have your hearing tested by an audiologist certified by the American Speech-Language-Hearing Association (ASHA), especially if you are concerned about possible hearing loss. Remember the warning signs of over exposure to noise.

  • Be aware of the noise in your environment and take control of it when you can. Be an advocate for reducing noise pollution.
So we are also looking at workplace, school, home, and outside in the city. With this kind of irreversible damage to the ears, I am horrified at the parents who buy iPods and MP3 players for their children...or for themselves. Hearing loss rate is skyrocket among young adults due to Ipod and MP3 players. Those tiny headphones are a direct assault to your ears, think about this one.

For sound engineer and musicians:

It is hard for engineers with constant exposing to the noise level in Vietnam. I live in the out skirt of town in the USA and a very quiet town.
My engineering friends and I always wear some sort of ear protection whenever we drive on the highway. We never hardly use the iPod or MP3, our mixing level are hovering around 65-75 dB in the studio or less, we love concert and live performance but always use some audio level reducer when we are there at the venue, and if you do get stuck at a loud place, try not to get no more than 5 minute of exposing that kind of SPL to your ears. How are you going to mix if you can't hear anything? I don't care what kind of monitors you are using.
I feel sorry for the guys and gals who are working at place like the night clubs in Vietnam. I sneaked a SPL meter into Volcano night club, and the dam meter went wild at 130+ dB standing at the entrance door and as I come deeper into the club, the dam SPL meter has no where else to go.
Some of my students are DJ's at night clubs, I almost gave up on the ones that wear no ears protection while DJ'ng at clubs. They always have a hard time of getting the right tone during tracking and forget mixing altogether.
Ever wonder why some engineers could not get that guitar or drum sound, even though they did all the right steps during tracking and mixing. Most of these guys will blame the gears that they can't get...try look into your hear loss. Your problem may even be more "expensive" than you think...it is your hearing loss.
Now alcohol and smoking don't help either...seriously. With alcohol you get buzz and have less feeling to your hearing threshold, therefore loud club musics will sound bearable to you, hence the long exposure.

Musicians should always wear ear protections while practicing with the band or even by themselves. It is funny that the ears are the gateway to all 'color' of sound and I see musicians take care of their ears the least of all. I won't even mention drummers...they are brain dead.
Anyway, take care of your hearing. Learn to hear not just with your ears but your whole body, your music and sound will be long lasting, way into your old age.

Tran Duy

Tuesday, July 03, 2007